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So, MEMOIR is one of those films that really takes you on a trip through Michio Okabe's head. It's got this raw, chaotic energy that feels like you’re peeking into his fantasies. The pacing is all over the place, which might throw some viewers off, but for others, it just adds to the experience of subjective cinema. You’ll see a blend of visuals that, while disjointed, create this strange dreamlike atmosphere. The performances are very personal, almost like Okabe is looping in his own persona into these fragmented narratives. It’s definitely not your typical linear storytelling, which makes it distinctive in the realm of underground cinema.
MEMOIR is a quite obscure title in the realm of Japanese underground cinema. Released in 1977, it has seen limited availability, primarily in niche collections or festival circuits. Collectors often find the search for original prints challenging, which adds to its allure. Given its unique approach to storytelling and atmosphere, it garners interest, particularly among those fascinated by subjective cinema and the late 70s artistic experimentation.
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