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Montage II: Ephemeral Blue is this fascinating blend of poetic imagery and sound that really pulls you into its world. Sourbeer’s use of visual forms is pretty striking, and Plymell’s poetry adds this haunting layer that kind of lingers in your mind. Levinson’s score is more than just background; it weaves through the visuals, enhancing the atmosphere and pacing in a way that feels almost tactile. There’s a rawness to it, an authenticity that sets it apart from more polished works of its time. It's the kind of film that feels like a time capsule, capturing a moment in the avant-garde movement that is both challenging and rewarding.
Montage II: Ephemeral Blue is a bit of a rare find in collector circles, primarily due to its limited release and the obscurity of its director. There’s a certain allure to tracking down this film, especially for those with a taste for experimental cinema and avant-garde poetry. Formats are a bit scarce, often found in niche archives or private collections, making it a sought-after piece for enthusiasts who appreciate the intersection of poetry and film.
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