Morning, Noon, Night; Water, Land and Sky

About This Movie

Morning, Noon, Night; Water, Land and Sky is a fascinating piece that really embodies a certain rawness. Mark Street's technique of mixing hand-processed 16mm film with various media creates this layered textural experience, almost like peeling back the layers of the Brooklyn Navy Yard's history. The way he weaves together stills and found footage feels both chaotic and deliberate, giving you this meditative sense of place. It’s got this ethereal quality that pulls you in, and the pacing—while sometimes slow—lets you linger on the details. There’s a rhythm to the visuals that mirrors the labor and life of the yard, making it distinct in its exploration of urban landscapes and the passage of time.

This film is part of a limited release that collectors have become increasingly interested in, especially given its unique blend of formats. There's not much in the way of commercial availability, which adds to its allure for those who appreciate experimental cinema. It's definitely one of those titles that sparks conversation among collectors about the evolution of film techniques and the representation of urban environments.