Narcissus

About This Movie

Narcissus (1957) is an intriguing exploration of self-adoration, structured as a film poem. It reinterprets the classic Greek myth through a contemporary lens, replacing the serene pool with murky waters, reflecting a deeper complexity in Narcissus's obsession. The three mirrors serve as distinct studies, each revealing a facet of self-love that is both unsettling and captivating. The pacing feels deliberate, almost hypnotic, allowing the viewer to linger on the themes of reflection and identity, while practical effects create an atmosphere that’s both haunting and beautiful. It’s a unique piece that stands apart, not just for its content but also for the way it engages with the viewer’s perception of self.

Narcissus has a niche yet dedicated collector interest, particularly due to its unique approach and the ambiguity of its origins. The film’s formats are somewhat scarce, making original prints a bit of a find. Given its unconventional narrative style and poetic structure, it doesn't pop up in discussions as often as mainstream titles, but for those interested in experimental cinema, it’s certainly on the radar.