N'importe Quoi (Extérieur - Jour)

About This Movie

N'importe Quoi (Extérieur - Jour) picks up where the first film left off, blending the rawness of life with a hyperreal aesthetic. The depiction of Brunhild Meyer-Ferrari's daily existence in Montreuil is fascinating, capturing the essence of urban life through various spatial and auditory layers. The soundscapes crafted by Eric La Casa add an intriguing depth, making the viewers feel almost voyeuristic in their observation. The pacing is meditative, allowing each frame to linger just enough for you to soak in the atmosphere. It’s distinct in its approach, straddling the line between documentary and art piece, which can be polarizing depending on what you're seeking. Definitely not your conventional narrative.

This film is part of a limited release series, making it quite sought after among collectors. It’s interesting to note that while the first film had some visibility, the follow-up has garnered a niche audience — particularly those drawn to experimental cinema. There are few known copies floating around in obscure festival circuits, and it’s unclear if there will be a wider release. Hence, interest stems more from its artistic merit than commercial viability.