No. 3: Interwoven

About This Movie

Interwoven (1947) is a curious piece of animation that feels like a fever dream spun from vibrant colors and abstract forms. The hand-painted aesthetic gives it a raw, tactile quality, while its reported transformation from a longer format leaves you pondering what might have been. There’s a certain rhythm to the visuals, almost syncopated, especially since it was meant to accompany Dizzy Gillespie’s music. The so-called 'batiked animation' has this avant-garde vibe that makes it stand apart from the more conventional works of its time. You can’t help but feel it pushes the boundaries of animation, even if it's a little disjointed at times. Definitely an oddity worth exploring, especially for those into experimental animation.

Interwoven is a rarity in the animation landscape, primarily due to its limited screenings and a confusing history of cuts and formats. Originally a longer piece, it’s now mostly known in its truncated form, which adds to its enigmatic allure. Collectors often seek it out for its unique hand-painted technique and the intriguing juxtaposition with jazz, making it a discussion point in animation circles. Its scarcity and avant-garde nature elevate its status among those interested in the evolution of animated art.