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Fast Track (1947) is an interesting piece of animation that feels a bit like an exploration of jazz through visual art. The film starts with this vivid color sequence showcasing Smith's painting, Manteca, which feels alive and rhythmically connected to Gillespie's music - each brushstroke sort of dances along with the tune. The black and white segments contrast nicely, giving it a unique layered texture. It's silent, which makes you lean into the visuals more, but there’s a charm in how it might have originally been paired with the lively Manteca. I love how it captures that post-war experimental vibe – it’s not just watching; it feels like an experience, almost like an abstract interpretation of sound and movement.
Fast Track is rather hard to come by, especially in its original 16 mm format. It’s a neat addition to any collection focused on experimental animation or works that intersect with jazz culture. The scarcity stems from its age and the niche interest it caters to, making it a fascinating piece for collectors who appreciate the blending of visual art with music.
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