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Norton's Cut-Up is quite the cerebral experience, blending documentary and experimental film in a way that feels like a deep dive into the mind of its subject. The film's core revolves around the juxtaposition of past and present, all through Norton’s peculiar method of cutting and pasting newspapers linked to Brion Gysin. The atmosphere is a bit disquieting, with Iain Sinclair's presence adding layers of depth to the narrative. And then there's Vindicatrix's original score—it's haunting, really—where the soundscapes pull you further into this fragmented world. It’s a unique exploration of creativity born from constraints, the pacing might seem slow at times, but it really lets you marinate in the themes of time and history. Not your everyday viewing experience, but that's part of its charm.
Norton's Cut-Up is a rare gem within the avant-garde scene, with limited physical releases making it a hard find for collectors. Most copies are likely to be either independent pressings or obscure festival releases, which heightens its allure for those interested in experimental cinema. The film doesn’t pop up often in discussions, but for those in the know, its distinctive approach to storytelling and exploration of creative boundaries makes it a fascinating piece worth tracking down.
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