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So, Volume 5 of the Oh! Moro series is pretty fascinating, capturing a unique slice of the Japanese noise scene back in '92. The atmosphere is raw and gritty, almost electric, as it dives into interviews and performances that reveal the heart of avant-garde music. You get Aube creating soundscapes in a parking garage with halogen lights, which is a wild visual and audio experience. And then there's Merzbow, pushing boundaries in ways that make it clear why he’s a pivotal figure. It's not polished, but that’s the beauty of it—this documentary feels like peeling back the layers of a subculture often overlooked. Definitely a gem for those into the more experimental side of music history.
Oh! Moro Volume 5 is a rare find, especially for collectors focusing on Japanese avant-garde music. This volume is part of a limited-run series that hasn’t had many re-releases. The documentary format captures a specific moment in time within the noise genre, with scarcity enhancing its appeal among enthusiasts. If you come across it, consider it a worthwhile addition to any serious collection centered on experimental music.
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