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So, 'One 11 and 103' is a curious piece from 1992, where Cage takes his usual experimental flair and dips it into the world of video. It’s a bit of a departure, really. The film is split into two segments meant to be played at the same time, creating this layered audio-visual experience that feels almost like a collage. The pacing is deliberately slow, with moments of stillness that let you soak in the absurdity of the 'meaningless activity' theme. If you're into avant-garde cinema, you might appreciate how Cage’s chance music philosophy translates into visual form. It's not about narrative or characters but more about exploring sound and movement in unexpected ways.
Features two segments designed for simultaneous viewing.Emphasizes Cage's philosophy of chance and randomness.Offers an unusual exploration of sound and visuals.
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