One Good Man

About This Movie

So, 'One Good Man' is this gritty little gem from 1968 that dives into the underbelly of crime with an interesting twist. You have Frank, played by Al Mauro, who’s mixed up in this string of burglaries with his partner, and it's kind of fascinating to see how their criminal escapades unfold against the backdrop of a changing America. Joey Johnson as the rookie cop brings a raw intensity to the film, especially during his barbershop scene, where the tension really simmers. The pacing has this offbeat rhythm, not always conventional, which kind of pulls you in. Plus, the practical effects are quite minimal but effective, giving it a more authentic feel. Overall, it’s a piece that resonates with themes of morality and desperation.

'One Good Man' isn’t widely circulated, making it a bit of a rarity for collectors. I’ve seen a few copies floating around in VHS format, but the quality can be hit or miss. Its unique take on crime and character study does draw interest, especially from those who appreciate lesser-known films of the era. If you come across it, it's worth snagging, as it captures a snapshot of its time that you won’t find in more mainstream titles.