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Ozuland: David Bordwell on Good Morning is an intriguing dive into Ozu's 1959 film Ohayo, where Bordwell pulls apart the layers of color and composition that define Ozu's unique style. He delves into the subtleties of transitional shots, showcasing how they contribute to Ozu's storytelling rhythm. The pacing is deliberate, inviting the viewer to linger over each frame. It’s fascinating how Bordwell engages with the idea of this film as a potential remake of I Was Born, But..., yet he finds depth in its differences, revealing themes of communication and modernity. It’s not just a lecture; it’s a thoughtful exploration that offers fresh insights into Ozu’s cinematic world.
This film is somewhat scarce in collector circles, primarily existing in niche academic collections. The discussions Bordwell presents offer a deep analytical perspective that many collectors appreciate, especially those drawn to Ozu's works. If you can find it on physical format, it likely holds some value due to its unique take and the rarity of such comprehensive analysis on Ozu’s films.
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