Portrait of Sharon

About This Movie

So, Portrait of Sharon is this intriguing piece from 1960, right? It’s a real visual feast, stitched together with these soft, warm hues shot on 16mm. The way it uses superimposition creates a kind of dreamy atmosphere, matching the percussive jazz that drives the whole thing. You’ve got Kirby Doyle, this beat poet, tearing down the road on a motorcycle, and then there’s Sharon “Didi” Morill, who’s got this captivating presence with her big eyes. The pacing feels almost meditative, with a rhythm that's both hypnotic and exploratory. It definitely captures that whimsical, experimental vibe of the time. You can feel the artistic currents flowing through it, making it stand apart from more conventional films of the era.

Portrait of Sharon is quite rare, with its 16mm format being a real treasure for collectors who appreciate underground cinema. The lack of a known director adds an air of mystery, which often intrigues those looking for hidden gems. While not widely available, copies occasionally surface, and they tend to spark interest among fans of experimental art films. The film’s unique blend of poetry and visuals makes it a notable addition for anyone diving deep into the counterculture of the 1960s.