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Quick Constant and Solid Instant is this fascinating glimpse into an experimental era. The film captures a Flux Mass at Voorhees Chapel, blending it with the vibrant works of artists like John Wallington and Rod Townley cruising on his motorcycle. The pacing feels almost hypnotic, oscillating between the rituals of the mass and the raw energy of the poetry being read by Gerard Malanga. There’s something unique about the juxtaposition of visual art and spoken word, creating a meditative atmosphere that’s hard to shake off. It’s not a conventional narrative, more of an experience, really, a sort of time capsule of 1969's counterculture, and that alone makes it pretty distinctive.
This film is relatively scarce, with few known copies floating around in collector circles, primarily on obscure formats. It’s intriguing how the film's experimental nature has created a niche interest amongst avant-garde enthusiasts. Collectors often discuss the unique fusion of artistic expressions it showcases, making it a conversation starter. The lack of a well-known director adds an air of mystery, contributing to its allure for those fascinated by the underground film scene of the late 60s.
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