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So, Rose Hobart 2 is kind of a wild continuation of Cornell's original vision. It's not your typical narrative; it’s more like a collage of cinema that dives deeper into the essence of Rose Hobart herself. The pacing has a dreamlike quality, kind of floats around rather than rushes, which amplifies the overall atmosphere. The practical effects are subtle but effective, weaving in and out of the found footage. You get this real sense of curiosity and introspection, exploring themes of memory and the ephemeral nature of film. It feels like a meditation on cinema, and the way it contrasts with the original is pretty fascinating. Definitely a unique piece for someone who appreciates experimental works.
Rose Hobart 2 has seen limited releases, and finding a copy can be tricky, which adds to its allure for collectors. The lack of a prominent director's name might deter some, but for those in the know, it's a fascinating puzzle piece in the realm of found footage and experimental cinema. The connection to Cornell’s original work draws in a niche audience, intensifying collector interest over time, especially among those who appreciate avant-garde films.
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