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So, 'Salome' from the 2025 Maggio Musicale Fiorentino is intriguing. It’s a fresh take, with Emma Dante at the helm as director, which adds a unique flair to the stage. Alexander Soddy conducts with a keen ear for Strauss' complex score, and you can really feel the tension in the air. Lidia Fridman as Salome brings this haunting quality, kind of seductive yet disturbing, which fits the overall vibe of the opera perfectly. The pacing feels deliberate, allowing moments to linger, almost unsettlingly so. You get this blend of opulence and decay, which is reflected in every performance. It’s not just about the spectacle; there’s a raw emotional undercurrent that sticks with you long after the final curtain falls.
Conducted by Alexander SoddyDirected by Emma DanteStarring Lidia Fridman as Salome
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