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Salute feels like a personal diary stitched together with fragments of memory. Baillie's time in the Navy serves as the backdrop, but it transcends mere biography. The collage style adds to the dreamlike quality, weaving together themes of duty, identity, and the passage of time. You get this sense of nostalgia mixed with a hint of melancholy. The pacing can be meditative, allowing the viewer to sink into each vignette. It’s not about flashy effects or conventional storytelling; it’s about the textures of experience. The performances—while not crafted in the traditional sense—carry an authenticity that resonates throughout the film, making it distinctive within the realm of experimental cinema and leaving you pondering long after it ends.
Salute is quite a rarity, given its niche appeal and the little-known status of Baillie as a director. As part of his unfinished trilogy MEMOIRS OF AN ANGEL, this film has garnered interest among collectors who appreciate experimental and avant-garde cinema. The scarcity of physical formats adds to its allure, making it a sought-after piece for those who delve into the nuances of film history.
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