Sartre

About This Movie

So, Sartre from 1967 – it's a 16mm piece by Franco Angeli, which already gives it a distinct edge, right? The film carries a very raw, almost visceral atmosphere, typical of its era. It plays with themes of existentialism and human condition, reflecting Sartre’s philosophies, but in a visual language that feels both intimate and somewhat detached. The pacing is deliberately slow, allowing those contemplative moments to sink in, and the practical effects are minimal yet effective – they really draw you into the starkness of the narrative. It’s one of those films that might not have a big reputation, but if you appreciate the nuances of experimental cinema, it offers a unique slice of the 60s avant-garde scene.

Sartre is somewhat elusive in the collector's circuit, given its limited format and niche appeal. Most copies are found in private collections, making it a bit rare, and often overlooked in favor of more mainstream works. However, for those who delve into the experimental movements of the late '60s, this film holds its ground as a significant, albeit underappreciated, artifact from the avant-garde landscape. Collectors often find it intriguing not only for its content but also for the context it provides into the artistic expressions of the time.