Satan

About This Movie

Satan (1920) is a fascinating dive into the early cinematic exploration of historical themes, and it really showcases Murnau's unique vision. You have this tripartite structure, which is quite ambitious for its time. The Egyptian segment presents a rich, almost oppressive atmosphere, while the adaptation of Hugo's La Fin de Satan brings in a more philosophical, almost surreal tone that’s striking. The third act, set against the backdrop of the Russian Revolution, feels raw and chaotic, a perfect reflection of the era. It’s a shame most of it is lost, just fragments remain, but those pieces do hint at some innovative practical effects. The pacing can feel uneven, yet it adds to the overall dreamlike quality, making this film a distinct artifact of its era.

Three-part structure, each with distinct tonesSurviving fragments hint at innovative practical effectsA deep dive into socio-political themes of its time