Scratching and Painting on Film

About This Movie

So, 'Scratching and Painting on Film' is this fascinating little experiment from '68 that seems to drift through the realms of abstract animation. It has this raw, almost tactile feel, with Jarnow's direct manipulation of the film stock really standing out. You can sense the influence of Brakhage and Harry Smith, but Jarnow twists it into his own stream-of-consciousness journey. The pacing's not conventional—it's more about feeling than narrative, with designs morphing and abstract ideas colliding. And those traces from other films, like a nod to Chaplin, add layers of intrigue. It's distinctive, for sure, and if you're into avant-garde film, this one's a head-scratcher in the best way.

This film is somewhat elusive in the collector's market, with limited releases over the years—mostly on niche labels focusing on experimental cinema. Original prints can be hard to come by, but they pop up occasionally at specialized film fairs or auctions. There's a growing interest in Jarnow's work as collectors seek out those unique pieces from the late 60s avant-garde scene, making this one a worthy find for those passionate about experimental animation.