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So, 'Seiri to ninshin' is one of those early pink films from 1968 that really captures a specific moment in Japanese cinema. Directed by Kinya Ogawa, it’s got that raw, unpolished vibe that you can’t help but appreciate. The pacing feels a bit languid at times, which adds to its overall atmosphere. There’s this exploration of themes around sexuality and body politics that’s pretty intriguing, especially for the era. The performances have a certain earnestness to them, which can be a bit hit or miss, but that’s part of the charm. It's distinctive for its blend of art and exploitation, something you don’t see much nowadays.
This film is part of the early pink cinema wave that still intrigues collectors today. It’s somewhat scarce, especially in good condition, as many prints have not survived the test of time. Collectors value it for its historical context and as a representation of Kinya Ogawa's work, but it can be tricky to find reliable sources, which adds to its allure.
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