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So, 'Self Shots' from 1967 is quite the curiosity. You have this intriguing mix of self-reflection and experimental filmmaking, where the unnamed director boldly puts the camera on himself—literally. The way it interacts with its surroundings, like being tossed through the air or gliding over fields, creates this playful yet introspective atmosphere. It’s almost like a dance between the filmmaker and his own lens, showcasing not just his face but also the very act of filmmaking, which feels both raw and adventurous. The pacing is unhurried, allowing you to soak in the moments, and it’s fascinating how it blurs the line between performer and observer. Definitely a unique take on the autobiographical genre.
'Self Shots' is a rare find in the collector's scene, with few known prints circulating. It often flies under the radar, but those familiar with it appreciate its experimental nature and the unusual choice of an unknown director. As with many underground films from this era, condition can vary greatly, making any well-preserved copy a point of interest for collectors. Its scarcity and distinctive approach to self-representation in film add to its allure.
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