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SHIFT is a curious piece, really. The whole film plays out as this intricate ballet of metal on asphalt, and it's fascinating how Gehr utilizes montage to create a rhythm that's almost musical. The way he captures cars and trucks, filmed from these lofty angles, it feels like the vehicles have their own personalities—even though they're just machines. It gives the film a unique tone, almost detached yet engaging at the same time. The pacing is methodical, allowing you to soak in the sights and sounds of urban life through this mechanical lens. It’s definitely not your standard narrative but rather an exploration of movement and form, and that’s where its distinctiveness lies.
This film tends to fly under the radar in collector circles, which makes it a bit of a hidden gem. Originally released on various formats, the availability has fluctuated over the years, with interest peaking during discussions of avant-garde cinema. Finding a good quality print can be tricky, so it's worth paying attention to collectors’ forums for any leads. Its unique thematic approach and visual style make it an interesting piece for those who appreciate experimental film.
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