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Sick of Myself is a darkly humorous exploration of vanity and desperation. Signe, played with an unsettling intensity, concocts a bizarre scheme to overshadow her boyfriend's artistic success. The film masterfully blends drama and thriller elements, creating this tense atmosphere that keeps you guessing about Signe's next move. The pacing is deliberate yet gripping, drawing you into Oslo's art scene—so pretentious and vibrant. It's not just about the shocking plot twists; it's also about how Signe's self-obsession spirals out of control. The practical effects used to depict her extreme measures are both disturbing and fascinating. Borgli's direction is sharp, making this film stand out as a unique character study in the contemporary landscape of cinema.
Interesting character study on obsession and fame.Unique blend of humor and darkness.Noteworthy performances that drive the narrative.
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