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Sliced Light is quite an intriguing piece from 1977. Shot on 16mm, it presents Buena Vista Park in a way that feels almost dreamlike, with rapid zooms and inverted images that are unlike anything else from that era. The film's rhythm is dictated by the captivating sounds of Peter Plonsky’s Chromatic Khaen, which adds a layer of depth to the visual experience. It’s fascinating how the filmmaker chose to manipulate the camera as if it were an instrument, creating a unique interplay between sight and sound. There’s a certain rawness to it, an authenticity that feels very much of its time, yet remains timeless in its exploration of perception and art.
Sliced Light remains a rarity in the collector's world, primarily due to its limited distribution and the obscurity of its director. The 16mm format adds a tactile quality that many collectors appreciate, though most copies are hard to come by. It's one of those films that sparks discussion among enthusiasts who value experimental cinema, making it a noteworthy inclusion for those who relish the unconventional.
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