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So, 'Slow Volumes' is this intriguing piece from 2019 by Mike Gibisser that uses a custom-built 35mm camera. The film really takes you on a journey into abstraction, playing with familiar spaces in a way that feels almost meditative, like you’re drifting through the visuals rather than just watching them. The pacing can be deliberately slow, which gives it a contemplative vibe. It brings to mind Michael Snow’s work, bending both space and time. There's this unique atmosphere—almost like you’re stepping into a dream where the boundaries of what’s real and perceived are beautifully blurred. It’s a film that’s more about the experience than a clear narrative, which can be polarizing, but definitely makes it stand out in the landscape of experimental cinema.
'Slow Volumes' has been a bit of a hidden gem, often overlooked in discussions about modern experimental cinema. The scarcity of physical releases adds a layer of intrigue for collectors; as of now, it’s primarily available in niche circles, making it harder to find. It’s noteworthy how some collectors are drawn to its unique approach to visual storytelling and the technical aspect of the custom camera work. This one’s definitely not your mainstream find, but for those who appreciate the experimental side of film, it could hold a certain appeal.
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