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So, South is an intriguing little piece from 1969 that really flips the classic Western on its head. It’s got this surreal vibe, almost dreamlike, and you don’t even see the horses, which is a bold choice. The pacing is leisurely, giving you time to soak in the oddball atmosphere. The themes of isolation and identity run deep, and the performances have this raw, unpolished quality that feels genuine. It’s distinctive for its refusal to adhere to genre conventions, making it a curious watch for anyone interested in the evolution of Westerns. Definitely one you’ll want to discuss after viewing, just for its sheer uniqueness.
South has a bit of a niche following, mainly due to its unconventional take on the Western genre and its unique production choices. It's not easy to find on physical media, which makes it a bit of a treasure for collectors. The original prints are scarce, and there have been a few re-releases, but nothing that fully captures its original essence. Interest tends to spike among those who appreciate avant-garde cinema and the evolution of genre filmmaking.
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