Splitting

About This Movie

So, 'Splitting' is really something else, isn't it? Matta-Clark takes this old house in Englewood and just, well, splits it down the middle. It's not your typical film; the pacing is slow and deliberate, letting you soak in the meticulous process. The atmosphere is oddly serene, almost meditative, as you watch the house give in to destruction. What’s fascinating here is the blend of art and architecture, exploring themes of space and division. There’s no narrative or actors to speak of; it’s all about the act itself—gritty, raw, and deeply intriguing in its simplicity. A true piece of avant-garde cinema, for sure.

The film has seen limited distribution, making it somewhat of a rarity for collectors. Originally released in small art-house screenings, it has since been preserved on various formats, but early prints are particularly sought after. The scarcity of tangible media combined with the unique concept of the film draws a niche audience of art and experimental cinema enthusiasts, making it a noteworthy piece for any serious collection.