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‘Still Point’ is this interesting piece from Barbara Hammer that really digs deep into the cultural feminism of the 70s. The film juxtaposes lush, almost dream-like imagery of her companion in serene landscapes with the stark, gritty reality of a New York garbage picker. It’s a fascinating contrast that speaks volumes about the emotional landscape of the era. The pacing feels deliberate yet contemplative, allowing viewers to reflect on the themes of identity and existence. What stands out is how it captures the rawness of life and the subtle poetry intertwined in everyday struggles, making it quite distinctive in Hammer’s oeuvre.
‘Still Point’ is somewhat of a rarity in film circles, given its limited distribution and experimental nature. It’s appeared in various formats over the years, but collectors often seek out early screenings or unique editions that capture its original intent. Its appeal lies in the deep themes and emotional resonance, drawing interest from those focused on feminist cinema and avant-garde filmmaking.
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