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Stroke (1993) is this odd little satire that digs into the absurdity of our reliance on technology. It follows a businessman who, in his quest for efficiency, ends up devoured by the very gadgets that were supposed to liberate him. The pacing feels a bit disjointed at times, which adds to that sense of chaos and alienation. The practical effects are modest but effective for the era, creating a tangible sense of dread around technology. It’s part of a trilogy with Hate Mail and Shoes Off!, both of which share that biting commentary on modern life but in different styles. There’s a rawness to it that you won’t find in more polished films.
Stroke has had a limited release history, which makes it a bit of a treasure for those who appreciate its satirical take on tech. It often flies under the radar, so finding a physical copy can be a challenge. The connection to the other films in the trilogy adds a layer of intrigue, drawing in collectors looking for thematic consistency across their collection. Because of its niche appeal and the exploration of technology’s darker side, it garners attention from those curious about the evolution of satire in cinema.
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