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Study III is a peculiar piece, really kind of a raw exploration of identity. The way the protagonist drags his alter ego through different spaces gives off a surreal and almost claustrophobic atmosphere. You can't help but think of Buñuel when you see the piano, the priests, and yes, those unfortunate donkeys. The pacing is quite deliberate, which adds to the introspective feel; itâs like a meditative journey that some might find grating, but I think it has its own rhythm. Weiss wasnât satisfied with this version, which shows in its rough edges but somehow that adds a layer of authenticityâit's a study, after all, not the finished product. Overall, itâs a fascinating glimpse into the creative process, a bold statement on duality and existence.
Study III has had limited availability over the years, mostly surfacing in niche collector circles. As it stands, itâs a lesser-known work that tends to intrigue collectors who appreciate the evolution of a filmmakerâs vision. Formats have varied, and finding it in good condition is becoming a bit of a challenge, which might explain the growing interest among aficionados keen on early experimental cinema.
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