Sur mon cou

About This Movie

Sur mon cou is a fascinating piece, really. It blends sensuality with an avant-garde approach, as it uses Jean Genet’s 1950 work, Le Chant d'Amour, projected onto a body. The atmosphere is intensely intimate, almost voyeuristic, with these moving tattoos creating a tactile experience that goes beyond mere visuals. The pacing feels meditative, inviting you to linger in its eroticism, while the themes of desire and surrender resonate deeply. The practical effects here are striking; it’s like watching poetry come alive, with bodies becoming canvases for emotion. There’s a rawness in its execution that sets it apart from more polished films, making it a unique entry in any serious collection.

Sur mon cou is relatively scarce in terms of formats available, primarily circulating in limited art-house collections. Its unique visual style and thematic depth make it a sought-after piece among collectors who appreciate the intersection of film and poetry. The limited releases have sparked interest, making it a notable addition for those who focus on avant-garde cinema or the works inspired by Genet.