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So, Tatsumi Hijikata from 1968 is a fascinating piece that dives deep into the world of Ankoku Butoh through the lens of its founder. It’s not just a performance film; it captures the raw energy and rebellion of the body against societal constraints. The photography and editing, reminiscent of Jonouchi’s Gewaltopia, create this unique visual language that feels almost dreamlike at times, yet starkly real. The pacing, while deliberate, allows you to absorb the intensity of the movements and the themes of flesh and revolt. There's an underlying tension that permeates the work, making it really distinct within the avant-garde cinema realm.
Tatsumi Hijikata is somewhat elusive in the collector's market, not always easy to find on physical media, which adds to its allure. Various formats have surfaced over the years, but the original releases tend to be rarer. It has gathered a niche following among collectors of experimental and dance films, particularly those interested in post-war Japanese art movements.
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