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So, 'The Children' is a curious piece from Marguerite Duras. It’s this odd blend of comedy and surrealism, where you meet Ernesto, this boy with the body of a grown man, which sets up such an intriguing premise. The pacing feels almost languid at times, capturing the absurdity of childhood expectations and societal pressures in a really unique way. Duras’ direction gives it this dreamy quality, almost like a fever dream. The practical effects are minimal but effective, adding to that overall surreal vibe. The performances have this understated charm, and there's a keen exploration of themes like identity and knowledge. It’s not like your typical comedy, definitely feels like an acquired taste.
Surreal take on childhood and educationPacing might not be for everyoneUnique exploration of identity themes
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