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So, 'The City of Düsseldorf is Very Beautiful' has this kind of dreamy, off-kilter vibe that's hard to pin down. Mommartz plays with visuals and sound in a way that feels both experimental and personal. The pacing is slow, almost meditative, allowing you to soak in the atmosphere of the city itself. I think it really captures a certain essence of urban life, though it feels a bit abstract at times. There's a rawness to the performances that gives it a unique texture, making you feel like you're peeking into a world that’s familiar yet strange. It’s definitely distinctive, especially for its time, and you can appreciate the practical effects used to enhance the storytelling.
This film is not commonly found on physical media, which adds to its allure among collectors. It has seen limited releases, mostly on obscure labels or as part of retrospective screenings. There's a growing interest in Mommartz's work, but finding a copy can be a challenge. Many collectors appreciate its unique visual style and how it stands apart from more mainstream films of the era.
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