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The Death of the Gorilla is a curious piece from 1966 that dances on the edge of chaos. It’s this trippy blend of imagery, a kind of experimental collage that plays with the viewer's perception. The pacing is frenetic yet oddly hypnotic, as it layers visuals over each other, creating a narrative that feels more like a fever dream than a traditional story. There’s a rawness to its execution; you can really sense the boundaries being pushed in terms of what film could be. It’s not just about a gorilla—it’s more about the interplay of modernity and mythology, a critique of contemporary life that sneaks up on you. A real oddity worth exploring.
The Death of the Gorilla has appeared in various formats over the years, but the 2011 preservation by the Academy Film Archive has sparked renewed interest among collectors. Copies in decent condition can be somewhat hard to find, especially with its unique blend of collage and experimental filmmaking. It stands out in any collection for its audacious approach and the questions it raises about art and perception.
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