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The Exterminating Angel (2024) is a fascinating blend of operatic music and surreal narrative, drawing heavily from Buñuel’s striking 1962 film. The atmosphere feels both claustrophobic and dreamlike, a strange juxtaposition that really connects with Adès' contemporary score. You get this slow build, almost a pressure cooker vibe, as the bourgeois characters find themselves trapped in their own lavish dinner party. The practical effects and staging are intriguing, creating a sense of unease that lingers. Performances are intense, with an emotional weight that feels very deliberate. It’s less about traditional storytelling and more about conveying a tone that’s unsettling yet captivating. There’s a lot to unpack thematically, especially regarding class and societal critique, which just adds layers to the viewing experience.
Surrealist themes echo Buñuel's original.Contemporary score by Thomas Adès.Unique blend of opera and visual storytelling.
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