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So, 'The Finger' from 1967 is a bizarre little slice of avant-garde cinema that doesn't give much away in terms of traditional narrative. It's pretty much a visual poem, with a male finger caught between two female fingers – the whole thing is suffused with this odd, almost surreal eroticism. The giggling adds a playful but slightly unsettling tone, creating an atmosphere that’s both whimsical and provocative. It's slower-paced, which gives you time to really sit with the imagery and let the absurdity wash over you. There's something distinctly experimental about it that can leave you pondering long after the credits roll. It's not your typical film, that’s for sure.
The scarcity of 'The Finger' makes it an interesting find for collectors, given its unconventional premise and experimental style. It has seen limited releases, and formats are few – primarily on obscure compilations or rare screenings. Interest usually stems from its avant-garde nature, positioning it as an oddity in the realm of experimental film that attracts a niche audience.
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