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Rusalka, as staged in 2017 by the Metropolitan Opera, really showcases Kristine Opolais in a role that seems to speak to her very essence. There's something spellbinding about her interpretation of Rusalka, especially when she delivers that haunting 'Song to the Moon' – it lingers in your mind. Mary Zimmerman's direction adds this lush, almost ethereal atmosphere, blending beautiful practical effects with a dreamlike quality that makes the whole experience feel immersive. The pacing feels deliberate, allowing the audience to really soak in the emotional depth of Dvořák’s score. It’s a unique marriage of opera and theater that stands out in the current landscape.
This particular production of Rusalka is somewhat elusive in terms of availability. While the performance itself is visually stunning, there haven't been many releases, leading to a bit of collector interest. The combination of Opolais’ performance and Zimmerman's direction creates a distinctive experience, making it a talking point among opera collectors. Keep an eye out for any home media releases; they seem to pop up sparingly.
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