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So, The Smiling Workman is this curious mix of performance art, blending Jim Dine's and Stan VanDerBeek's distinctive styles. It feels like you're caught in this experimental whirlwind, where the lines between art and film blur. The pacing is a bit erratic, but it adds to the overall atmosphere of spontaneity. The visuals—man, they have this raw, almost tactile quality that’s hard to describe. It's not your typical movie; there's a distinct sense of playfulness, and the whole experience is a bit like walking through a gallery while the exhibits come to life. It’s definitely a conversation starter for collectors who appreciate avant-garde cinema.
The Smiling Workman is quite the rare find, often overshadowed by more mainstream films of its time. It originally saw limited release, and copies have become scarce, especially in good condition. Collector interest seems to be growing among those who appreciate the intersection of film and performance art, making it a noteworthy entry in any serious collection.
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