The Soba Man

About This Movie

So, The Soba Man is quite the curiosity in the realm of UCLA student films. It's shot in black and white, lending a certain rawness that fits perfectly with its folktale roots. The story weaves a Japanese myth with contemporary situations—the protagonist Mirico feels like an outsider at her boyfriend's party, a theme that's relatable and layered. There's a haunting quality to the demon without a face, and the film's pacing reflects a dreamlike state, almost meditative at times. The practical effects are minimal yet effective, enhancing that eerie, otherworldly vibe without being overbearing. It's nice to see how they maneuver around cultural identity and fascination in such an intimate setting.

The Soba Man remains a rare piece in the collector's scene, with its limited availability and intriguing backstory. Preserved by the UCLA Film and Television Archive, this film doesn't often surface, making it a fascinating addition for those interested in student cinema and cultural narratives. Some collectors appreciate its more avant-garde approach and the exploration of identity, which gives it a distinctive place in cinematic history.