The Telephone

About This Movie

The Telephone (1981) is a fascinating short film by Chris Petit, capturing a unique blend of revenge and creativity in just three minutes. The atmosphere here is both playful and dark, showcasing a young woman's imaginative method of getting back at her boyfriend for his infidelity. It’s intriguing how Petit chose to test a new super 16mm Kodak film stock—this film’s quality really stands out, giving it a distinct visual flair that feels both experimental and polished. The pacing is tight, and the practical effects, despite the short runtime, have a memorable impact. It’s a brief exploration of betrayal and creativity that doesn’t overstay its welcome, which makes it all the more effective.

The Telephone holds a niche place in the collector's world as a short that predates some of Petit's more recognized works. Its scarcity can be attributed to its limited initial screenings and the specific 16mm stock used, which wasn’t widely distributed. Collectors often seek it for its experimental nature and its connection to Peter Greenaway’s The Draughtsman’s Contract, making it a curious piece for those who appreciate the evolution of film techniques and narrative form.