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So, The Tempest (2018) is quite the piece from Phyllida Lloyd, wrapping up her Donmar Shakespeare Trilogy. What’s striking here is the all-female cast, with Harriet Walter stepping into the role of Prospero. It’s set in a women’s prison, which adds a unique layer to the classic themes of freedom and justice. The atmosphere feels heavy yet hopeful, with the pacing maintaining a nice rhythm that keeps you engaged. The performances are raw and powerful, really bringing out the emotional depth of the characters. And the practical effects? They have a gritty charm that fits the setting. It’s a distinctive take on Shakespeare, and I appreciate how it challenges the norms of traditional productions.
Unique all-female castSet in a women's prisonFinal installment of Donmar Shakespeare Trilogy
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