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So, 'The Upside-down Triangle' is an interesting piece, really. It dives into the sensitive topic of women's right to divorce in Iran, something that's just not often depicted in cinema. Rajabian's choice to shoot it in black-and-white gives it this raw, gritty feel that complements the serious themes. The pacing feels deliberate, almost reflective, which adds to the weight of the subject matter. The performances are quite striking, with a real sense of authenticity. What's notable is how Rajabian, coming from a photography background, utilizes digital cinema technology to create a visually compelling narrative. It’s not flashy, but there's an honesty to it that resonates deeply.
First feature film by Hossein RajabianExplores women's rights in IranDistinctive black-and-white cinematography
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