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So, The Wall (2020) is this intriguing mesh of genres—action, animation, and documentary, all rolled into one. It follows David Kinsella, who, armed with funding from the Norwegian Film Institute, goes to North Korea to capture the life of a young poet. Sounds straightforward, right? But quickly you realize it's all a construct, a bizarre ballet of fiction over fact. The pacing is erratic, which kind of mirrors Kinsella’s own unraveling as he confronts the staged reality around him. The animation interspersed with real footage creates a surreal atmosphere, making everything feel oddly detached yet deeply engaging. It’s not everyday you see a film that blurs these lines—Kinsella’s performance adds a layer of authenticity to an otherwise scripted world.
Unique blend of genres.A fascinating take on documentary conventions.Explores themes of reality vs. fiction.
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