Third Law of Thermodynamics

About This Movie

So, 'Third Law of Thermodynamics' from 1967 is intriguing in its minimalism. Fulton, having spent years in still photography, really brings that sensibility to the moving image. You get these short, sharp bursts of visuals that linger in your mind, creating this almost hypnotic atmosphere. The technique is raw, with a tangible quality that feels very much like the experimental edge of the time. There’s a focus on the interplay of light and shadow, which is essential in constructing that mood; it pulls you in. The pacing is deliberately fragmented, almost dreamlike, allowing for contemplation rather than straightforward storytelling. It's a unique piece that sits at the intersection of artistry and experimentation, quite distinctive for its era.

This film is quite scarce, with only a few prints circulating among collectors, often tied to discussions around experimental cinema of the late '60s. It's fascinating how Fulton's technique in this piece reflects his photographic background, making it a standout in his filmography. Original 16mm prints can be harder to find, and those lucky enough to own one appreciate the unique texture it offers, adding to its allure among niche collectors.