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Thunderland, as a Matter of Fact is quite the audiovisual treat. It merges Frédéric Boisclair's immersive soundscapes with Charles-André Coderre's live 16mm projections, creating a unique atmosphere that pulls you right into the industrial heart of Shawinigan. The performance dives deep into the themes of hydroelectricity and local industry, almost as if it's a meditation on the relationship between nature and man-made environments. The pacing feels like a dance, with the visuals and sounds ebbing and flowing together, drawing you into a reflective state. It's distinct not just for its content but how it presents it, a blend of live art that feels both intimate and expansive in scope.
As a collector, this work stands out for its experimental style and the limited nature of its release. Currently, it's quite scarce in collector circles, primarily available through niche outlets or live performances rather than mainstream distribution. The combination of live projection and sound gives it a unique edge, making it an interesting piece for those who appreciate avant-garde cinema and performance art.
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