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Tondo is one of those curious pieces that really exemplifies Al Jarnow's unique approach to animation. The film immerses viewers into a cosmic landscape, where you see this ever-shifting grid that feels both infinite and strangely intimate. It’s got those vibrating etchings and trippy spirograms that blend together, creating a vibe that’s hard to pin down. There’s a certain rhythm to it, too, like the pacing matches the visuals, almost meditative in its exploration of surreal realities. You can tell it’s crafted with a distinct imagination; it’s a tapestry of thought and form that stands out in the realm of independent animation.
Tondo has a niche appeal among collectors, especially those interested in experimental animation. Its scarcity is notable, as it didn't have a wide distribution, leaving original prints quite sought after. Over the years, it has occasionally surfaced at festivals or niche retrospectives, but a proper home video release remains elusive, which only adds to its allure. Collectors value it for its unique aesthetic and the insight it provides into Jarnow’s broader body of work.
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