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So, 'Totem Pole - '67' is quite an oddity if you dive into avant-garde cinema. The use of extension tubes to shoot frame by frame gives this film a tactile, almost sculptural quality. It's like the subject is both the star and the camera itself, creating this heavy interplay between subjectivity and technology. The pacing feels deliberate, almost meditative, and you can sense the filmmaker’s intention to blur the lines of perception. It's not flashy, but there's something compelling about its rawness. The practical effects, or rather the lack of them in a conventional sense, push you to reconsider how we engage with film as a medium. There's an introspective atmosphere that lingers long after viewing.
This film is a rarity, with limited screenings and a niche audience that appreciates experimental cinema. Its format and approach make it a unique piece, often sought after by collectors focusing on avant-garde works. There are few copies circulating, which adds to its allure for those who admire the intersection of technology and artistic expression.
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