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So, 'Tree' is an interesting piece, isn't it? Shot on Hampstead Heath, it’s this small tree that becomes the central focus, but the way it’s re-edited at the Film Coop takes it to another level. You get this formal, abstract vibe thanks to the editing choices that contrast with naturalism. It’s like they’re wrestling with the original context of the imagery, twisting it into something new. The pacing can feel meditative, almost hypnotic, as you watch this tree transform through the lens of the filmmaker's art. You’re left with a feeling of detachment—it's pure visual exploration, not just a simple depiction of nature. Quite distinctive, really.
'Tree' has seen limited format releases, with its original prints becoming somewhat scarce over the years. Collectors often appreciate its experimental nature and unique approach to editing, making it a notable piece for those interested in avant-garde cinema from the early '70s. There’s a certain intrigue around its unknown director, which adds to its mystique in collector circles, as it challenges traditional narrative forms.
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